With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.