Performances

Last chance to see Andrea Baker in this stunning performance. With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time.

2023 marks the 250th anniversary of one of the world’s most beloved hymns, Amazing Grace.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Join us for the world premiere of Lammermuir Festival’s new community opera for East Lothian.

Lohengrin is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850.

Lohengrin is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

Ayanna Witter-Johnson is a multi-talented singer/songwriter, cellist, pianist and composer. She has a phenomenal mastery for seamlessly crossing the boundaries of classical, jazz, reggae, soul and R&B, to imprint her unique musical signature collaborating with artists including Anoushka Shankar, Nitin Sawhney, Andrea Bocelli and Jools Holland.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

Die Wasserspeicher von Prenzlauer Berg

Director: Ruth Wiesenfeld | Composer & Music Director: Teresa Reiber | Produktion FMK

Die Wasserspeicher von Prenzlauer Berg

Director: Ruth Wiesenfeld | Composer & Music Director: Teresa Reiber | Produktion FMK

Die Wasserspeicher von Prenzlauer Berg

Director: Ruth Wiesenfeld | Composer & Music Director: Teresa Reiber | Produktion FMK

Die Wasserspeicher von Prenzlauer Berg

Director: Ruth Wiesenfeld | Composer & Music Director: Teresa Reiber | Produktion FMK

woman.life.song is a unique collaboration between five eminent women: composer Judith Weir, writers Maya Angelou, Toni Morrison and Clarissa Pinkola Estés and singer Jessye Norman, who commissioned and premiered the piece in 2000.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

The basis for the Salome plot can be found in the Gospel of Mark 6:14-29. Gustave Flaubert (1821-1880) took up the material in his novel “Herodias” from 1877 and added the sensuality of Salome to it.

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica

Role Debut as Ulrica

Hessisches Staatstheater Wiesbaden, Germany

Andrea Baker: Ulrica