Performances

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

SEAWORLD VENICE , Florentina Holzinger's contribution to the Austrian Pavilion at this year's Venice Biennale, will find a unique resonance in Bregenz on July 11, 2026: as a composition for four percussionists, ten performers, a crane, and a bell.

SEAWORLD VENICE will unfold beyond the Giardini della Biennale across the city through performances titled Études – a body of work Florentina Holzinger has developed since 2020, consisting of choreographic exercises and performative actions staged in public spaces.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

SEAWORLD VENICE will unfold beyond the Giardini della Biennale across the city through performances titled Études – a body of work Florentina Holzinger has developed since 2020, consisting of choreographic exercises and performative actions staged in public spaces.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

"A Year Without Summer" is an apocalyptic vision of artificial life: In an attempt to conquer nature, the body becomes the testing ground, subjected to ever more radical climatic conditions.

Tales of Transatlantic Freedom is a powerful music theatre performance; an exploration of African diasporic narratives that decolonises and deconstructs musical forms.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Opera performance by Florentina Holzinger with Paul Hindemith's opera Sancta Susanna, sacred works and new compositions in German, Latin and English.

Last chance to see Andrea Baker in this stunning performance. With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone...

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

The Austrian performance artist Florentina Holzinger continues to pulverize stage genres and viewing habits with another performance based on Paul Hindemith’s one-act opera Sancta Susanna, which premiered in 1922.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

Florentina Holzinger opens SANCTA with Paul Hindemith’s one-act opera Sancta Susanna, in which a nun experiences brutal punishment for her sexual self-determination.

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the ‘20s, ‘30s, and ‘40s, and the time-travel trickery of James Goldman’s book, “Follies” is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships...

2023 marks the 250th anniversary of one of the world’s most beloved hymns, Amazing Grace.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Originally written by Scott Joplin (c. 1911), Treemonisha is one of the few pieces set soon after the abolition of slavery, written by a survivor of that era.

Join us for the world premiere of Lammermuir Festival’s new community opera for East Lothian.

Lohengrin is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850.

Lohengrin is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.

With his opera Babylon, Jörg Widmann dared to do something extremely rare: the really big hit.